'The Beloved Witness Symposium: Agha Shahid Ali and Kashmir' was organized at Hamilton College in Clinton, New York state, on 19th and 20th September 2014 to celebrate the acquisition of the poet’s manuscripts and personal papers as well as the launching of The Beloved Witness Project, a digital archive that features video clips of Shahid reading his poems. The digital archive is now available to anyone who has an internet connection (http://asa.dhinitiative.org/listen).
Shahid taught at Hamilton College from 1987-1993. During that time he published his second American volume A Nostalgist’s Map of America and wrote many of the poems that resulted in his most important volume The Country without a Post Office. The Country without a Post Office was written as a response to the crackdown by the Indian army on the people of Kashmir in retaliation for their support for independence from the state of India. The crackdown was very severe, including the arrest, torture and disappearance of Kashmiri men and women and the suppression of civil rights of the people generally. Curfews that brought the economy to a halt, the evacuation of Hindu Kashmiris, the destruction of mosques and temples, and the banning of assembly were employed in the name of suppressing militants whom the authorities believed were receiving support and training from Pakistan. The details of the people’s suffering during this period are represented in Basharat Peer’s memoir Curfewed Nights and in Mirza Waheed’s novel The Collaborator.
Shahid taught at Hamilton College from 1987-1993. During that time he published his second American volume A Nostalgist’s Map of America and wrote many of the poems that resulted in his most important volume The Country without a Post Office. The Country without a Post Office was written as a response to the crackdown by the Indian army on the people of Kashmir in retaliation for their support for independence from the state of India. The crackdown was very severe, including the arrest, torture and disappearance of Kashmiri men and women and the suppression of civil rights of the people generally. Curfews that brought the economy to a halt, the evacuation of Hindu Kashmiris, the destruction of mosques and temples, and the banning of assembly were employed in the name of suppressing militants whom the authorities believed were receiving support and training from Pakistan. The details of the people’s suffering during this period are represented in Basharat Peer’s memoir Curfewed Nights and in Mirza Waheed’s novel The Collaborator.
One of the items on display - a rug commissioned by Shahid during one of his visits to Srinagar
Living in America, with only summer visits to his home in Srinagar, Shahid felt the exile’s dread and anxious waiting to hear from his family and friends. One day he heard from his father that someone had been to the local post office and there on the floor was a letter for Shahid’s father. The man brought it to him because ordinary postal service was not working. Thinking about the breakdown of something as ordinary as postal service led Shahid to think about his homeland and the loss of the rich cultural and community life he had known as a child. The Country without a Post Office expresses that longing for a return via memory, and, at the same time, it reaches out in solidarity to other places where war and political conflicts require a poet’s response, however inadequate. Since its publication in 1997, Shahid’s book of poems has provided hope where there had been none, inspiration to write and speak about Kashmir, and an historically significant intervention in Anglophone literary history. Shahid’s ghazals have introduced the Urdu-Persian form and cultural context to readers of English.
The Beloved Witness Symposium brought artists and scholars together to present and discuss Kashmir. Musa Syeed, an American of Kashmiri descent, showed his first feature film, The Valley of Saints. The film is not yet in general release but it has been making the film festival rounds and garnering prizes, including a Sundance Audience Award and an Independent Film Spirit award for cinematography. Students of film at Hamilton were riveted by Mr. Syeed’s account of living with the boatman who is the focus of the film and of the problems of shooting on location during the military enforced curfews in Srinagar. Professor Hena Ahmad, Shahid’s sister, the novelist Kamila Shamsie, Shahid’s student, and the poet Peter Balakian, Shahid’s colleague at Colgate University, told stories about Shahid, his love of cooking, his open-hearted and confident approach to life and work, and the demands he placed on himself and his students to pay attention to every word they wrote. Professor Haley Duschinski, an anthropologist who has done field work in Kashmir for many years showed slides of the people she has interviewed and talked about their efforts to create archives of the lives of loved ones killed during the military crackdown.
Although we were remembering Shahid, many of the participants were also worried about the fate of friends and family in Srinagar today. A week before the symposium, a flood broke through the levees in Srinagar putting 80% of the city under water in a matter of hours. Shahid’s family home was completely destroyed and Shahid’s brother Agha Iqbal Ali, who was supposed to attend the symposium, was in Delhi arranging for the safety of his 90-year-old father. Although all of the guests at the symposium live in the United States or England, there was still a palpable sense of loss in their discussions of Srinagar, which is now in ruins, and much uncertainty about its reconstruction.
It was fitting, then, that the day ended by recognizing that Shahid’s importance is best understood through his impact on artists who continue the work of showing us the world we live in, a world of deeper knowledge and more compassion than the news media can address. Mirza Waheed read from his new novel The Book of Gold Leaves. Kamila Shamsie read from her latest work A God in Every Stone. Peter Balakian read his elegy for Shahid and many of the members of the audience who had been students or colleagues of Shahid contributed their reminiscences of what Shamsie called “the Shahid that we have internalized.”
The Beloved Witness Symposium brought artists and scholars together to present and discuss Kashmir. Musa Syeed, an American of Kashmiri descent, showed his first feature film, The Valley of Saints. The film is not yet in general release but it has been making the film festival rounds and garnering prizes, including a Sundance Audience Award and an Independent Film Spirit award for cinematography. Students of film at Hamilton were riveted by Mr. Syeed’s account of living with the boatman who is the focus of the film and of the problems of shooting on location during the military enforced curfews in Srinagar. Professor Hena Ahmad, Shahid’s sister, the novelist Kamila Shamsie, Shahid’s student, and the poet Peter Balakian, Shahid’s colleague at Colgate University, told stories about Shahid, his love of cooking, his open-hearted and confident approach to life and work, and the demands he placed on himself and his students to pay attention to every word they wrote. Professor Haley Duschinski, an anthropologist who has done field work in Kashmir for many years showed slides of the people she has interviewed and talked about their efforts to create archives of the lives of loved ones killed during the military crackdown.
Although we were remembering Shahid, many of the participants were also worried about the fate of friends and family in Srinagar today. A week before the symposium, a flood broke through the levees in Srinagar putting 80% of the city under water in a matter of hours. Shahid’s family home was completely destroyed and Shahid’s brother Agha Iqbal Ali, who was supposed to attend the symposium, was in Delhi arranging for the safety of his 90-year-old father. Although all of the guests at the symposium live in the United States or England, there was still a palpable sense of loss in their discussions of Srinagar, which is now in ruins, and much uncertainty about its reconstruction.
It was fitting, then, that the day ended by recognizing that Shahid’s importance is best understood through his impact on artists who continue the work of showing us the world we live in, a world of deeper knowledge and more compassion than the news media can address. Mirza Waheed read from his new novel The Book of Gold Leaves. Kamila Shamsie read from her latest work A God in Every Stone. Peter Balakian read his elegy for Shahid and many of the members of the audience who had been students or colleagues of Shahid contributed their reminiscences of what Shamsie called “the Shahid that we have internalized.”
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The title of the symposium comes from two lines from Shahid's ghazal "In Arabic":
They ask me to tell them what Shahid means: Listen, listen:
It means "The Beloved" in Persian, "witness" in Arabic.
Agha Shahid Ali, Call Me Ishmael Tonight: A Book of Ghazals, W.W. Norton, 2004
^^^^^^^^^^^^^^^^^^^
The title of the symposium comes from two lines from Shahid's ghazal "In Arabic":
They ask me to tell them what Shahid means: Listen, listen:
It means "The Beloved" in Persian, "witness" in Arabic.
Agha Shahid Ali, Call Me Ishmael Tonight: A Book of Ghazals, W.W. Norton, 2004
^^^^^^^^^^^^^^^^^^^
The Beloved Witness Project at Hamilton College is ongoing. The library exhibit of Shahid materials will be on display until December. Then all of the items will be digitized and displayed in the Beloved Witness Project’s digital archive. This summer Burke Library’s Special Collections will support a visiting scholar to study Shahid’s manuscripts. Next year we hope to welcome a Fulbright Scholar from India. Already several undergraduates at Hamilton and other colleges have studied the materials to write their own scholarly and creative work, including a couple of digital projects on Shahid’s poetry. Scholars interested in access to the special collections of Shahid’s papers should contact Christian Goodwille ([email protected]) at Hamilton College.
Patricia O'Neill is a professor of English at Hamilton College. She was Shahid's friend and colleague, dedicatee of Shahid's poems "Farewell" and "The Veiled Suite", and co-director with Hena Ahmad of The Beloved Witness Project: Agha Shahid Ali.
Patricia O'Neill is a professor of English at Hamilton College. She was Shahid's friend and colleague, dedicatee of Shahid's poems "Farewell" and "The Veiled Suite", and co-director with Hena Ahmad of The Beloved Witness Project: Agha Shahid Ali.
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